All About Books

I grew up loving books and loving to read. As a tiny tot, I thought the most amazing thing anyone could ever do was to be an author. Books were truly magical. And before I knew how many books there were in the world, my goal was to read them all. By the time I was 10, I wanted to write children’s books and even had an idea for my first book. Years later, I did finally write and illustrate a book for my niece when she was born.

So, books have been part of my DNA all my life and it’s no wonder that in 2016 I began creating paintings with books attached to the surface of the painted canvas.

Now, as I await the launch of the Creative LifeBook on Wednesday, I find myself reflecting on how I have somehow managed to experience the joy and delight of being involved in a handful of book projects through the years (even when my primary focus has been on painting). These have so satisfied my original and foundational desires. And as I reflect on all of this, I thought I would share my published book history:

Back in the 1990’s, I collaborated on the creation of the Lakota Sweat Lodge Card: Spiritual Teachings of the Sioux (card deck and book). This endeavor became a reality through the teachings of Archie Fire Lame Deer, the tenacity of Helene Sarkis, and the beautiful words of Ann Louise Goulene.

In 2012, I was inspired to produce and publish The Gratitude Habit: A 365 Day Journal and Workbook. For several years, The Gratitude Habit had lots of success on Amazon and it even spent some time on the top 100 list of books in Happiness.

So, in 2015, I followed that up by creating and publishing Parenting The Gratitude Habit: a journal and resource for fostering gratitude in your heart, home, and family. And recently, I found my notes for a third book in the series, which I was too busy painting to complete.

Now, it’s 2023, and I am so grateful to have stumbled into an amazing book project with an impressive and supportive community on the Creative LifeBook. I so appreciate Jessica Hughes vision for this book and her remarkable ability to make this collaborative effort a reality.

NOTE: The Creative Lifebook became an Amazon bestseller in 23 categories and in 5 countries shortly after it launched. It is now available in Kindle and in paperback editions. Soon to be out in hardcover as well.

Working in a Series

I love to work in a series, to watch an idea or concept develop from one painting to the next as I explore the variations on a theme. It gives me a creative focus in which to grow my artwork and myself.

Not only do I find a theme to develop throughout the series, but I begin with a framework or recipe of elements that becomes the foundation for each of the pieces. As a series evolves, an organic process unfolds, with each painting being a stepping stone to the next as I explore new ways of expressing the blueprint they have in common.

Ancient Wisdom Minis - in process

The chosen focus needs to be something I want to immerse myself in and wish to elevate. In the Transcriptions series, it was ancient books and prayers. The Ancient Wisdom Minis, highlighted the words of Kabir, poet and mystic. The Windowframes series was a reflection of the beauty in aging. And now, the Portals of Joy series allows me to spend my days focused on shape and color as I elevate joy in a world that could use more joyful expressions.

Twas Brillig

“Twas Brillig” 24” x 30” Acrylic, canvas cloth, and paper on canvas.

Detail image of “Twas Brillig”

Painting brings me joy. I love my time in the studio and the relationship I develop with each of my creations… but once and awhile I create something that significantly increases the joy. “Twas Brillig” did just that. It turned up the “Joy Meter” and I was in no rush to complete it. I found myself savoring every moment I spent playing with this canvas.

For years I have wanted to create a painting with a focus on Lewis Carroll’s, Jabberwocky. I have loved it since high school. In fact, in one of my art classes back then, we had to illustrate a children’s book for a painting and drawing class. I chose to illustrate The Jabberwocky. (Thank you, Mr. Foo)

Closeup of the attached book on “Twas Brillig”

I so enjoyed playing with the text of the poem as I incorporated Carroll’s unique and wonderful words into the constructed cloth book. I took my time developing the background of the stretched canvas that became the setting for the “book.” This one gave me an opportunity to explore with color and structure.

Detail image of “Twas Brillig”

My original goal was to, in some way, allow the words of Lewis Carroll to spill from the book, as if the boundaries of the books could not contain it. I would love to do more canvases like this one. Playing with text as it pours from the painting surface. These are the types of images that keep coming up in my mind, calling to be created.

I enjoyed every moment I spent on this painting. And I can’t help but wonder if this one may be something of a bridge between the work that has come before and the artwork I will be creating, moving forward. I definitely approached the painting process differently than I might have in the past… and that had been my goal.

Here are the words of the first and last stanzas of the poem for those of you unfamiliar with Jabberwocky, by Lewis Carroll and for those who would enjoy a reread:

’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.”

Twas Brillig is available for purchase, here.