Santa Cruz Love Note

“Santa Cruz Love Note" 18" x 18" Acrylic, cloth, papers, strings, and threads on canvas.

“Santa cruz love note” is currently hanging in a Local show.

Here are the details:

Exhibit: Local Visions
at: Pajaro valley arts
(pvarts.org)

When: Now until July 31, 2022

Opening reception:
Sunday, June 26
From 2PM - 4PM

"Santa Cruz Love Note” in process

I created “Santa Cruz Love Note” specifically for the Local Visions show at Pajaro Valley Arts, a membership exhibit. We were told to have fun with the theme and that’s exactly what I did. I filled the painting and layers of raw canvas with the many things I love about living here in Santa Cruz. And I could have added even more. In the lower right hand corner of the painting, I’ve attached something of a love note about the area. These words are somewhat visible under the paint.

Pajaro Valley Arts

For those of you who are unfamiliar with Santa Cruz, it’s a happy place, surrounded by natural beauty. There’s plenty to love about Santa Cruz County… with the magnificent redwoods, the hiking trails, the forests, the coast, the beaches, the arts, the people, the culture, the beauty, and so much more. Since I began developing this painting, my appreciation for the area has continues to grow.

Gallery Information:
37 Sudden Street, Watsonville, CA
Gallery Hours: 11.00am – 4:00pm
Wednesday-Sunday
Masks Encouraged

Here are some details of the completed painting:

A Process Story

“Ennobled” 12” x 12” acrylic, papers, pencil on canvas

The experience of working on “Ennobled,” the 5th canvas in the Portals of Joy series, was a bit like maneuvering a boulder up an incline. All the while, I was able to experience these challenges with confidence and determination. It became an excellent exercise in creating and recreating, making changes, letting go and moving on.

“Ennobled” in process; initial color palette

I began the painting with a color palette that I found attractive but, it just wasn’t quite me. Once on the canvas it seemed goofy, like a Halloween candy wrapper. So I kept altering colors, one at a time, and adding textured papers to cover up some of the colors and create new ones. I found the process enjoyable, without frustration. I was able to draw on my confidence that each alteration would bring me closer to feeling as if I had made it my own. What a time consuming process it was! If I hadn’t been as focused on the unfolding experience of the process, I would not have been able to remain in the joy of creating.

“Ennobled” in process; at the start

Occasionally, a painting doesn’t flow as smoothly. Each time I find myself in that space, I have the gift of letting go and immersing myself in the painting process. I allow it to take as long as it takes, with no expectations and the willingness to continue to apply layer over layer, repainting areas one moment at a time. And with each alteration, I come closer to an image that will look back at me and say, “Ahhh… this is it.”

“Integral Flow” 12” x 12” acrylic, papers, pencil on canvas

Once I had completed “Ennobled", I shifted my focus to the newly started 6th painting in the Portals of Joy series, titled “Integral Flow.” The experience of painting this one was nothing like the last one. The process flowed easily from beginning to end. Of course, I chose a color palette I was comfortable with from the start. And maybe that attributed to the feeling of lightness that surrounded the painting process.

I experienced joy as I created both of these two paintings but that experience was so very different… neither better than the other. And I am grateful for the wonderful diversity of both.

You may be interested in a recent post: New Series: Portals of Joy

New Series: Portals of Joy

“Scatter Joy” 12” x 12” acrylic, papers, pencil on canvas

After filling many sketchbook pages with circles and grids, I finally admitted that my artwork was moving in a new direction. I needed to explore the use of geometric shapes and to get back to spending most of my time working on canvas. First I had to let go of my attachment to the Transcriptions series and allow a new creative flow to take shape. Once I explored the symbolism of this new focus, I was able to assign meaning to the paintings I would be creating and move forward with a new series. At the same time, joy had become more and more of a major influence in my life. This is how the Portals of Joy series came into being.

“Hooked on a Feeling” 12” x 12” acrylic, papers, pencil on canvas

This series is a reaction to the year we have been experiencing and the times we now live in. These paintings are created in joy, with a focus on joy, and with the intention of putting more joy out into a world at a time when it’s needed. The paintings each have a quote about Joy embedded into the background of the design, under the paint, present yet not readable… as JOY seems to be more often held under the surface this year, although still present in our lives. The grid of colors represents us as individuals but part of the whole. And the presence of the circular shape represents the wholeness, oneness, and unity that we all share, beyond the illusion of what we are seeing in the outside world.

“Uplifted” 12” x 12” acrylic, papers, pencil on canvas

“Ennobled” 12” x 12” acrylic, papers, pencil on canvas

“Third Story” 12” x 12” acrylic, papers, pencil on canvas

“Integral Flow” 12” x 12” acrylic, papers, pencil on canvas

The Portals of Joy paintings will be available here at the Website on December 5th. Prints and products of this series are currently available at Pixels.com

You may be interested in a recent post… Joy: a Morning Practice
and for more on these paintings… A Process Story

2020 Reframed

“2020 Reframed" 24" x 24" Acrylic, cloth, papers, strings, and threads on canvas.

“2020 Reframed” has been accepted into the MAH’s upcoming exhibit.

Exhibit: In These Uncertain Times
at the Santa Cruz Museum of Art and History (MAH)
beginning on January 15, 2021

2020 is no ordinary year… filled with layers of challenges and unlike any we’ve experienced. Early in the year, I started to notice an unusual presence of RE-WORDS showing up in my life and in the world around me. I am referring to an abundance of words beginning with the letters RE. (Retreat, rediscover, recreate, reinvent, recover...) It’s been a year in which we’ve all had reasons to RE-vise our plans, RE-assess our priorities, and RE-define our lives. We have waited for businesses to RE-open and wondered if and when we might RE-turn to “normal.”

"2020 Reframed” in process

Back in May, I created a RE-WORDS concertina sketchbook, an eight page book built to highlight these words. Once it was completed, I felt a strong need to continue working on this project, but in a larger format. So I printed my collection of re-words in different fonts and sizes and began constructing a painting. “2020 Reframed” is loaded with words appearing on layers and strips of raw canvas. The prepared layers have been stitched together and are sewn onto a 24” x 24” stretched canvas. The loose threads and textures further represent a time in which our personal and societal threads have been laid bare.

Here are some details of the completed painting:

AND not long after the completion of this painting, a new word emerged: RE-population. It’s used when fire evacuees are returned to their homes. (Luckier than many, we are very thankful to have had a home to return to.)

Hearts in the Art

“Love Sound” 6” x 6” mixed media on canvas. (Available through the Hearts for the Arts fundraiser.)

“Love Sound” in process.

As young children, we are introduced to the shape of the heart. It is recognized throughout the world as a symbol for love. I’m not normally one who paints hearts or adds the heart shape in my artwork. But… somehow, in the past couple of months I have produced two paintings with cloth hearts sewn into the design. Now that Valentine’s Day is only days away, I thought I would share them here.

Both paintings are part of the series of Ancient Wisdom Minis, designed around a quote from Kabir that includes a heart reference. (Kabir was a 15th century poet and mystic.) The canvases in the series are small (6” x 6”) acrylic paintings featuring words of wisdom from the past. The first step in the process is to cut, fray, and prepare the raw canvas that will create texture and form the focal point for the painting.

“Lift the Veil” 6” x 6” mixed media on canvas. SOLD

“Love Sound” is currently part of the Hearts for the Arts fundraiser being held at Artisans Gallery, in downtown Santa Cruz (details below). It displays the following quote: “The flute of the infinite is played without ceasing, and it’s sound is love.” ~Kabir.

“Lift the Veil” features these words: “Lift the veil that obscures the heart, and there you will find what you are looking for.” ~Kabir

The 2020 Hearts for the Arts fundraiser benefits the Santa Cruz Arts Council’s arts education programs (SPECTRA and Mariposa Arts). The donated works are currently on display at Artisans as part of a silent auction for the first 13 days in February (bidding begins on February 1st and closes on February 13th).

For those in the area: The auction will be part of the First Friday Art Tour on February 7th and the Arts Council will host an Artists’ Reception from 3-5 on Sunday, February 9th.

I plan to be there on Sunday. Maybe I’ll see you there!!

Painting Doesn’t Take a Holiday

"Effervescence" 20" x 20" acrylic mixed media on canvas.

Tomorrow is the first day of February and I am spending time today, reflecting on the experience of painting during Thanksgiving week. Somehow I managed to shop, cook, entertain, and still complete a painting while also preparing for a studio show just one week later. On that Wednesday, the day before Thanksgiving Day, I was busy in the kitchen preparing food for a small family feast. But while the veggies were sauteing and in between cooking the various dishes, I was in the studio adding paint to my latest creation. I managed to embed studio time in a day focused on cooking. By the end of the day, I felt nearer to actually being able to complete the painting I had begun more than a year before. Then, while other people spent Black Friday shopping, I was able to work on and finish up that painting.

"Effervescence" in process. Sewing the painted cloth onto the stretched canvas.

“Effervescence” was inspired by a vision I had of the mist created when opening up a bottle of carbonated water. Each mist particle represented one of us and we were all connected in this sea of bubbles, swirling around one another, playing our role in the whole of our shared existence. We were one, together, rather than individuals, separate from the whole.

I began working on “Effervescence” in the fall of 2018, almost immediately after the concept took shape in my mind. But soon after I painted the two cloth layers, I put it aside with too many ideas on how it might be developed. Over a year later, a friend encouraged me to return to the painting. And I’m so glad she did. It was only then that I had the idea for the background to mimic the cutouts in the top cloth. So I got busy cutting holes in paper before adhering the paper to the back canvas. That’s when I was finally able to move the painting forward towards completion.

"Effervescence" in process after adding the cut paper to the stretched canvas background.

I added the finishing touches with a quote from Johann Wolfgang von Goethe... "In nature we never see anything isolated, but everything in connection with something else which is before it, beside it, under it, and over it."

“Effervescence” and I took a journey together and I embrace the bond developed in the process. A relationship is created between the artist and his/her creation. When I’m working on a painting, it’s as if a dialog develops between us, with the painting sharing its needs, making suggestions, providing guidance. All I have to do is be open to listening. We spend time in the studio together. It’s a shared experience. And when a painting takes longer to complete, the opportunity is there to create a closer bond, just as in any relationship. “Effervescence” was signed and wired in time for the studio show and it was one of the first to be sold.

And…I have to just add: For an artist, any day is a day to create, whether it’s a weekend, vacation day, or even the week of a major holiday.

Becoming a Blank Canvas

I’ve been taking part in Tara Leaver’s Instagram Challenge… 21 Days in My Art World. Tomorrow is day 11 and the prompt is: Turning Point. I’ve decided to share the experience that placed me on the path of creating the Transcriptions Series. With this in mind, I thought it applicable to re-post an article I published a few years ago on the Shared Easel Newsletter. Here it is:

2016 was the year I "birthed" a new series and grew myself in the process. I believe it all began with the adventure of dismantling the old and opening the doorway to something new.

I entered the year believing it was a time of wonderful possibilities - that I could create anything I wanted and make anything happen. I had the power to create!... But the question was, "What did I want to create?"

I was determined to release any and all past creative goals and open to a new creative vision, unfettered by my prior ideas and expectations. I wanted to wipe the slate clean so I could see what I might create now. First I would need to clear away years of stuffed and stored creative project ideas. I have always had more ideas than the time and ability to create. Most have remained stored in my inner closet, occasionally reminding me they were still there. It was time to finally clear out that closet and release the old notions conceived by a no longer existing me.

Over the course of several days I converted our living room into a brainstorming space. I taped sheets of newsprint paper all over the windows, door, and furniture. With markers and pens, I generated lists of:

• old expectations and projects ideas

• creative ideas that were already begun

• my past successes and achievements

• my skills and abilities that I can draw upon in anything I choose to do moving forward

• my hopes and dreams

• positive affirmations to fuel the new

• I Am statements (examples: I Am Fearless, I Am Grateful... )

• some ideas of things I might consider getting involved in or find a passion for

• and more

"Transcriptions #1 - Lokah Samastah”
12" x 12" Mixed media on canvas.

The main goal was to make myself a blank canvas for what I might create in the year ahead (and allow new ideas and creations to unfold). I'd say it worked out pretty well and led to the development of the Transcriptions Series of paintings!

(This was originally published on April 2017 in the Shared Easel Newsletter.)

Note: In the months that followed my brainstorming days, a series of new experiences, ideas, and materials came together to form a new way of working and a new series. I ended up producing 30 paintings in that series, which has led to all the work that followed. I’m so very grateful for those days in February 2016 and going with my inner guidance to become a blank canvas at that time.

The 100 Day Project

“Explorations” series in process.

I was just beginning a new mini-series when I learned of the 100 Day Project on Instagram and it peeked my interest. As I write this, it is day 24 and I had committed to creating 25 pieces in the “Explorations” series to get me started. For the “Explorations” paintings, I’m using magazine images to inspire a daily exercise on pieces of 6” x 6” canvas paper.

My focus for the 100 days: I absolutely love to paint on canvas, raw or primed, stretched or unstretched. So, since this project is designed to take me out of my comfort zone, instead, I will be creating (mostly) small works on PAPER. I intend to play with paint, some collage, pastels, pencils, and any other materials or process I can have fun with.

I see the time spent on this project as an intermission between the work I've done in the past and what I will create in the future.

I'm curious to see how far I will go in this. One hundred days takes us to JULY! I don't know if I'll complete the full 100 days, but for now it’s my daily focus, allowing me to stretch my creative muscles.

The project came up for me at the perfect time… just as I was taking a break from producing paintings on canvas and instead finding and exploring various ways to develop and grow as an artist. It ties into my current need to play, experiment, and try new things.

Note: The artwork shown above is a selection of 9 pieces from the “Explorations” series. And at this time, I know I will be creating ten additional minis as part of that collection. Posts for the 100 day project and “Explorations” can be found and followed on Instagram and on my Facebook artist page.

Breath and Beyond

“Breath and Beyond” 12" x 12" acrylic, cloth, threads, and paper on canvas.

“Breath and Beyond” was the first painting I worked on and completed after returning from packing up my parent’s home. (We were getting it ready for sale.) Although I returned with several new projects in mind, I decided to get busy with the raw canvas I had prepared before leaving. My first goal was to create a thread filled environment in which to paint.

“Breath and Beyond” in process.

I began by sewing lines of stitches in something of a checkerboard pattern, leaving loose threads at the ends of each line. I had already cut five squares into the cloth before the trip.

“Breath and Beyond” didn’t develop as I had originally envisioned. So, I let go, allowing the process to lead me, and I was able to enjoy every step along the way.

I kept adding color, then some text, and then more color. The background canvas became a deep brownish mauve to peek through the openings in the cloth.

The text in the painting is the mantra, So Hum, meaning: "I Am That." It is used in meditation as one focuses on their breath.

“Breath and Beyond” in process.

I always have a title in mind by the time a painting is complete… but not this time. The painting had journeyed so far from the original idea and I felt like I was just along for the ride, not knowing where we were going. I had to brainstorm ideas for a name.

When the title, “Breath and Beyond” came to mind, I knew it was right. I could see how the painted cloth had become a tapestry OR a tapestry of life. I had chosen a mantra that represents the breath OR breath of life. And the cutouts had become windows to the beyond.

Breath and Beyond is available for purchase, here.

“Breath and Beyond” in process. Sewing the painted cloth to the back canvas.

Small Bites

Small Bites 12" x 12" acrylic and cloth on canvas.

A dream became the inspiration for Small Bites… an original painting that is now part of my Canvas on Canvas series. First I prepared the piece of raw canvas by fraying the edges and cutting out holes in the cloth. I attached it to the stretched canvas and then it was time to take out the acrylics and brushes and choose some colors.

Small Bites in process. Choosing the color palette.

Choosing the color palette:

I only had a vague idea of the colors I would use. So, I began with one of my favorite starter color palettes: yellow oxide, titanium white, and Payne’s grey. (Oh, but since I have very little Payne's grey around, I'm using ivory black.) I love the way these colors mix together!

Now I had to choose the rest of the colors. I have a small collection of color cards that I’ve created and add to from time to time. I find it very helpful in choosing a color palette when I don't have one immediately in mind. I went back and forth on different color ideas for this one.

It took me a while to get comfortable with the reds I had chosen, but I really like the idea of stretching my “color comfort zone.” And by the time I was finished, I had grown much more comfortable with the reds in this color palette. (0f course, I did soften the intensity of the color, somewhat.)

Small Bites is available for purchase, here.

Painting with the Kaddish

"Kaddish 1" 12" x 12" acrylic, paper, string, and cloth on canvas.

With the recent loss of my parents, it seemed the perfect time to create a painting with a focus on the Kaddish, a Hebrew prayer often referred to as the Mourner’s Kaddish. I have always loved the flow of rhythmic sounds as these Hebrew words are recited aloud, particularly in a group. There is a cadence to these sounds that becomes a shared journey.

Text strips prepared for “Kaddish 1”

First, I spent a day preparing strips of canvas cloth for the lines of text I would be using in the painting. I probably created enough strips to produce multiple paintings. Hence, the name Kaddish 1.

Detail of “Kaddish 1”

While working on Kaddish 1, I never had a clear vision of where it was going. The painting seemed to keep showing me what my next steps were in it’s development. It took some time before the design layout for the text strips became clear. You might be able to see how the strips are not laying flat, but each one has an area which is raised up (image down below). And… I have to say, I became quite jazzed at the idea of adding the three lines of text to the left side of the background canvas, after placing single rows of text on the other three sides.

For now, this painting will remain with me and won’t be available for purchase. But I do plan to do more like it.

Detail of “Kaddish 1”

Twas Brillig

“Twas Brillig” 24” x 30” Acrylic, canvas cloth, and paper on canvas.

Detail image of “Twas Brillig”

Painting brings me joy. I love my time in the studio and the relationship I develop with each of my creations… but once and awhile I create something that significantly increases the joy. “Twas Brillig” did just that. It turned up the “Joy Meter” and I was in no rush to complete it. I found myself savoring every moment I spent playing with this canvas.

For years I have wanted to create a painting with a focus on Lewis Carroll’s, Jabberwocky. I have loved it since high school. In fact, in one of my art classes back then, we had to illustrate a children’s book for a painting and drawing class. I chose to illustrate The Jabberwocky. (Thank you, Mr. Foo)

Closeup of the attached book on “Twas Brillig”

I so enjoyed playing with the text of the poem as I incorporated Carroll’s unique and wonderful words into the constructed cloth book. I took my time developing the background of the stretched canvas that became the setting for the “book.” This one gave me an opportunity to explore with color and structure.

Detail image of “Twas Brillig”

My original goal was to, in some way, allow the words of Lewis Carroll to spill from the book, as if the boundaries of the books could not contain it. I would love to do more canvases like this one. Playing with text as it pours from the painting surface. These are the types of images that keep coming up in my mind, calling to be created.

I enjoyed every moment I spent on this painting. And I can’t help but wonder if this one may be something of a bridge between the work that has come before and the artwork I will be creating, moving forward. I definitely approached the painting process differently than I might have in the past… and that had been my goal.

Here are the words of the first and last stanzas of the poem for those of you unfamiliar with Jabberwocky, by Lewis Carroll and for those who would enjoy a reread:

’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.”

Twas Brillig is available for purchase, here.

Above and Below

“Above and Below” 12” x 12” Acrylic and canvas cloth on canvas.

After a couple of months away from the studio, it was so good to hold a paintbrush in my hands again. To get back into the flow, I chose to play with a work in progress I had begun awhile ago. It had been waiting for months for me to return to complete it. Back then, I had cut a piece of raw canvas cloth and gessoed it onto a 12" x 12" canvas. The cutouts were inspired by Georgia O'Keefe's clouds.

This was the perfect project for my return and I so enjoyed the process. I didn’t care how it turned out. All that mattered was the delight of being busy in the studio.

“Above and Below” in progress.

Originally, I had a whole different color palette in mind when I first attached the cut cloth to the canvas, months ago. But now is a different time and place. So, the process of painting this one took me on an unexpected path. I like watching as paintings unfold before me. And I'm delighted to be back in process.

Inspired by: Georgia O'Keefe's, "Sky Above the Clouds"

Above and Below is available for purchase, here.

Autumn Shade

“Autumn Shade” 12” x 12” Acrylic and canvas cloth on canvas.

Autumn Shade was the first painting I completed after ten days of playing with crayons. So, I can’t help but wonder how much that experience influenced my choice of colors for this canvas. Of course, I was also craving the fall colors as I sat in my studio, in October, looking out on the evergreen trees that surround our home. I’m loving these colors.

This is another one of the Canvas on Canvas series that I have so enjoyed painting. Unlike the Transcriptions series and the Text-tures, there is minimal construction and no sewing of elements onto canvas. It provides me with pure painting joy.

Autumn Shade is available for purchase, here.