we are all connected

Connection and Disconnection

Threads of Connection and Illusion of Disconnection are two of my recent paintings. They are currently hanging in the tri-gallery “This is Now’ show at Curated by the Sea, in downtown Santa Cruz. The show is being held in partnership with Arts Council Santa Cruz, and showcasing the artists of the Visual Arts Network. It focuses on works created within the past two years that relate to current issues in our world.

First Friday reception April 1st, 6 pm - 8 pm
with live jazz music

 
 

About the Paintings: Although we think of ourselves as individuals, separate from one another, we are all connected through an intricate web of energetic threads. We are like single cells that come together to form the whole organism. Our actions, reactions, thoughts, and beliefs are not isolated within our small piece of the world but emanate out in unseen ripples to all. This was never more apparent to me than at the beginning of the pandemic when the worries and concerns of the collective unconscious seemed to be present in air. Meanwhile, in recent years we’ve seen an increase in a mentality of separation, an exaggeration of our differences, and an avoidance of finding common ground.

Threads of Connection

So, as soon as I heard the theme for This is Now, I wanted to create a pair of paintings around the concept of our connection to one another and the illusion of separateness we experience.“Threads of Connection” and “Illusion of Disconnection” were painted in tandem, stepping them through the process of development together, side by side. 

Illusion of Disconnection

In “Threads of Connection,” the cloth cut-outs on the top layer have been connected like a web, with each of the holes tied to all of its adjacent cut-outs. There are two quotes that reference our connections. One is by Martin Luther King and the second is from Mitch Albom.

With “Illusion of Disconnection,” the cut-out squares from the upper layers of painted cloth seem to hang in their separate spaces yet they are still connected, by the red threads, to the whole. I’ve placed the words of Albert Einstein in the painting, present but barely seen under the paint.

Show will be closing on
Saturday, April 9th.

Curated by the Sea:
Address:
703 Front Street, Santa Cruz
Hours: Thursday through Saturday noon - 4 pm

Painting Doesn’t Take a Holiday

"Effervescence" 20" x 20" acrylic mixed media on canvas.

"Effervescence" 20" x 20" acrylic mixed media on canvas.

Tomorrow is the first day of February and I am spending time today, reflecting on the experience of painting during Thanksgiving week. Somehow I managed to shop, cook, entertain, and still complete a painting while also preparing for a studio show just one week later. On that Wednesday, the day before Thanksgiving Day, I was busy in the kitchen preparing food for a small family feast. But while the veggies were sauteing and in between cooking the various dishes, I was in the studio adding paint to my latest creation. I managed to embed studio time in a day focused on cooking. By the end of the day, I felt nearer to actually being able to complete the painting I had begun more than a year before. Then, while other people spent Black Friday shopping, I was able to work on and finish up that painting.

"Effervescence" in process. Sewing the painted cloth onto the stretched canvas.

"Effervescence" in process. Sewing the painted cloth onto the stretched canvas.

“Effervescence” was inspired by a vision I had of the mist created when opening up a bottle of carbonated water. Each mist particle represented one of us and we were all connected in this sea of bubbles, swirling around one another, playing our role in the whole of our shared existence. We were one, together, rather than individuals, separate from the whole.

I began working on “Effervescence” in the fall of 2018, almost immediately after the concept took shape in my mind. But soon after I painted the two cloth layers, I put it aside with too many ideas on how it might be developed. Over a year later, a friend encouraged me to return to the painting. And I’m so glad she did. It was only then that I had the idea for the background to mimic the cutouts in the top cloth. So I got busy cutting holes in paper before adhering the paper to the back canvas. That’s when I was finally able to move the painting forward towards completion.

"Effervescence" in process after adding the cut paper to the stretched canvas background.

"Effervescence" in process after adding the cut paper to the stretched canvas background.

I added the finishing touches with a quote from Johann Wolfgang von Goethe... "In nature we never see anything isolated, but everything in connection with something else which is before it, beside it, under it, and over it."

“Effervescence” and I took a journey together and I embrace the bond developed in the process. A relationship is created between the artist and his/her creation. When I’m working on a painting, it’s as if a dialog develops between us, with the painting sharing its needs, making suggestions, providing guidance. All I have to do is be open to listening. We spend time in the studio together. It’s a shared experience. And when a painting takes longer to complete, the opportunity is there to create a closer bond, just as in any relationship. “Effervescence” was signed and wired in time for the studio show and it was one of the first to be sold.

And…I have to just add: For an artist, any day is a day to create, whether it’s a weekend, vacation day, or even the week of a major holiday.

Asemic Writing

I loved creating this work on paper! When I produced this piece a couple of months ago, I felt like I had stumbled onto a wonderfully exciting creative adventure. I guess I was finally giving myself permission to explore an idea I’ve been wanting to play with for quite awhile. The idea was to include non-specific text in my artwork… to write without words. I’ve wanted to create the illusion of text without any specific meaning and then I learned it had a name: asemic writing.

According to Wikipedia and referenced on a number of other sites, asemic means "having no specific semantic content", or "without the smallest unit of meaning."

The use of asemic writing seems to be a natural progression for me after incorporating ancient languages into my paintings over the past few years. This is my first creative experience with asemic writing but definitively not my last. I am looking forward to exploring this further.

“We are all Connected” 6” x 9” mixed media on paper

“We are all Connected” 6” x 9” mixed media on paper