Working in a Series

I love to work in a series, to watch an idea or concept develop from one painting to the next as I explore the variations on a theme. It gives me a creative focus in which to grow my artwork and myself.

Not only do I find a theme to develop throughout the series, but I begin with a framework or recipe of elements that becomes the foundation for each of the pieces. As a series evolves, an organic process unfolds, with each painting being a stepping stone to the next as I explore new ways of expressing the blueprint they have in common.

Ancient Wisdom Minis - in process

The chosen focus needs to be something I want to immerse myself in and wish to elevate. In the Transcriptions series, it was ancient books and prayers. The Ancient Wisdom Minis, highlighted the words of Kabir, poet and mystic. The Windowframes series was a reflection of the beauty in aging. And now, the Portals of Joy series allows me to spend my days focused on shape and color as I elevate joy in a world that could use more joyful expressions.

2020 Reframed

“2020 Reframed" 24" x 24" Acrylic, cloth, papers, strings, and threads on canvas.

“2020 Reframed” has been accepted into the MAH’s upcoming exhibit.

Exhibit: In These Uncertain Times
at the Santa Cruz Museum of Art and History (MAH)
beginning on January 15, 2021

2020 is no ordinary year… filled with layers of challenges and unlike any we’ve experienced. Early in the year, I started to notice an unusual presence of RE-WORDS showing up in my life and in the world around me. I am referring to an abundance of words beginning with the letters RE. (Retreat, rediscover, recreate, reinvent, recover...) It’s been a year in which we’ve all had reasons to RE-vise our plans, RE-assess our priorities, and RE-define our lives. We have waited for businesses to RE-open and wondered if and when we might RE-turn to “normal.”

"2020 Reframed” in process

Back in May, I created a RE-WORDS concertina sketchbook, an eight page book built to highlight these words. Once it was completed, I felt a strong need to continue working on this project, but in a larger format. So I printed my collection of re-words in different fonts and sizes and began constructing a painting. “2020 Reframed” is loaded with words appearing on layers and strips of raw canvas. The prepared layers have been stitched together and are sewn onto a 24” x 24” stretched canvas. The loose threads and textures further represent a time in which our personal and societal threads have been laid bare.

Here are some details of the completed painting:

AND not long after the completion of this painting, a new word emerged: RE-population. It’s used when fire evacuees are returned to their homes. (Luckier than many, we are very thankful to have had a home to return to.)

A Week with Circles

During the past week I completed 6 small circle paintings. I wanted these to serve as a continuation of the themes and images that developed during the sketchbook challenge. As I began this series, my focus was on the concepts of wholeness and unity represented by the circular form.

I split the sheet into six segments for six individual paintings to be completed one a day. The color palette was to stay pretty much the same throughout. Although it was unplanned, their proximity to one another had an influence on the adjacent pieces.

I want to continue this exploration on paper before shifting to canvas.

Sketchbook Challenge: Week 4

During the last week of the 30 Day Sketchbook Challenge, I had fun playing with shapes and color, exploring new ideas, and continuing to develop concepts from prior pages. One of the pages was inspired by an Andy Goldsworthy photograph and another by a historical event. I experimented with mark making and new textural methods, while filling the pages with papers, acrylics, and all types of pencils (drawing pencils, watercolor pencils, charcoal pencil, colored pencils).

Day 22/30

Day 23/30

Day 27/30

Day 26/30

The piece I created on Day 26 was inspired by the Tulsa Race Massacre. The massacre has been referenced quite a bit recently so I decided to research it. And I couldn’t let it go. I continued to read a bit more each day and finally had to paint something on the subject. The atrocities of that event took place in 1921, in the wealthy black neighborhood of Greenwood. Hundreds of people were killed (estimates vary), and many are believed to be buried in mass graves. 35 square blocks were burned to the ground, leaving 10,000 homeless. I won’t share more here, now, but I do recommend you learn about “the single worst incident of racial violence in American history. “

On Day 28, I wanted to do something different and just be messier… a thoroughly enjoyable process. The idea of dedicating a week of sketchbook play to just messy pages sounds like a great exercise for me.

Day 28/30

Day 24/30

Day 25/30

As I neared the end of the challenge, I felt as if I had to make the most of the last few entries. But the reality is, my sketchbook play does not end with this challenge. I have another 30 pages left in this book and other sketchbooks on hand. I am likely to experiment more in the days ahead and finally get back to the painting I began weeks ago.

Day 29/30

Day 30/30

I have so enjoyed this challenge and the opportunity to develop a great relationship with sketchbooking. It will be interesting to see how this experience helps to shape the work I create in the coming weeks and months. I will be considering the ah-ha’s that showed up during these thirty days, the concepts I want to get back to, and the list of ideas I didn’t get to yet.

I am so very thankful for Cheryl Taves, and for all her beautifully thoughtful sharing, her time, and the effort she put into hosting this fabulous sketchbook journey. It has been 30 days filled with riches.

More posts from the 30 Day Sketchbook Challenge:
Week 1
Week 2
Week 3

Sketchbook Challenge: Week 3

Something happened , something shifted as I began the third week of the 30 Day Sketchbook challenge. Up until this week, I was intrigued by the circular cutouts and felt drawn to using them on the pages of this book. But suddenly, as I developed the Day 15 image, the power of these shapes rose to the surface and my use of them became encircled in meaning.

Day 15/30

So in week 3, I’ve continued to play with this circular shape and reflect on my connection to it, meanwhile feeling as if I am also taking shape.

And now for the rest of the week…
(all images can be found below)

Day 16: “Black and Blue” was a reaction to Black Out Tuesday (the day before) and the presence of black squares on many and most Instagram feeds, in solidarity of Black Lives Matter and the events of this week.

Day 17: An image that didn’t develop as I thought it would, providing the exercise in letting go, learning, exploring, and moving forward to the next page.

Day 18: Playing with a variation on an earlier page with a similar color palette and elements but with a different layout and design. I love exploring variations on a theme!

Day 19: “ A Complex Society” is a variation on the Day 16 image. During these few weeks, I’ve been playing with new ideas, shapes, and colors, with a need to revisit prior pages and create variations on those images.

Day 19/30

Day 16/30

 Day 20: This was an effort to experiment with some mark making. I’m pretty shy and reserved when it comes to adding marks to a painting. So, I began by filling the page with marks and then painting a thin layer over it. After adding more marks on top of the paint, I ended up covering most of them up with paint, leaving just a bit showing.

Day 17/30

Day 20/30

Day 21: Shortly before this sketchbook challenge, I opened my new sketchbook and scribbled some stream of consciousness words in pencil to form a paragraph. My idea was to cover it with papers and paint but allow some of it to show through. Then during the challenge, I got caught up in using the clean fresh pages and didn’t get back to it... until the 21st day of the challenge. The added pencil lines are my attempt at mark making. I was much more comfortable with these not too bold lines.

Day 21/30

Day 18/30

As the week ended, I reflected on the experiences of these days I’m spending with my sketchbook and where it has already taken me. And I wondered what would unfold in the coming week, both in the world and in my sketchbook.

More posts from the 30 Day Sketchbook Challenge:
Week 1
Week 2
Week 4

Sketchbook Challenge: Week 2

During the second week of the 30 Day Sketchbook Challenge, I continued to find similar and differing ways to highlight the circular shape that’s become the primary element on these pages.

Day 8/30

Day 9/30

Day 13/30

It seems that each painted image in this sketchbook, ends up calling on me to return and create one or more variations on that idea or concept. That’s no surprise. I love working within a series of paintings, with each piece a stepping stone to the next. This sketchbook journey has become something of a dance, steps forwards and backwards, 1-2-3. Each time I satisfy my need for revisiting a completed page, I find myself focused on another to revisit.

Day 10/30

Day 12/30

This week, as I explored the circular theme, I played with textures and layers, strings and threads, and various color palettes. I had fun scraping paint with a serrated knife, adding raw canvas, and limiting the colors on some of the pages. I’ve found delight in placing one or more red elements (like a dot or circle) for a pop of color.

Day 12/30

Day 14/30

Each day has been a new creative adventure that I look forward to with wonder. I suspect I haven’t finished playing with the circular shape and I would expect them to continue showing up in the week ahead.

More posts from the 30 Day Sketchbook Challenge:
Week 1
Week 3
Week 4

Sketchbook Challenge: Week 1

A couple of weeks ago, I decided to join in on a 30 Day Sketchbook Challenge. As I watched other artists beginning to get involved, I kept getting a nudge to play in my sketchbook too!! So with a fairly new 6” x 6” sketchbook, I began creating a page a day. I’m having fun and loving the sense of wonder in what I will come up with next as I use a variety of materials and tools. So far, I’ve played with cut paper, ink, chalk, charcoal pencil, crayon, pencils, acrylic, watercolor pencils, and thread.

Day 1/30

Day 2/30

Day 5/30

In the past, sketchbooks were something I used to brainstorm ideas for a new painting or series, for morning drawing meditations, and to express dreams or concepts. I don’t think I’ve ever used a sketchbook to just play. So as I began this challenge, I was stepping out of my norm and very excited to do so.

I have been loving the process of working in a sketchbook each day. I have found that in the pages of this small book, I’ve been working past the point of ‘done-ness’, continuing to add to what I have. Pushing it beyond and then a bit further. It’s been a wonderful exercise. And being a sketchbook page, it’s easier to take risks. 

Day 4/30

Day 6/30

Day 7/30

In this week of daily sketchbook entries, two elements have presented themselves… the open circle and the grid. I’ve become interested in exploring what I might create with them in the future, individually and in combination. My mind has been flooded with ideas of images to explore on these pages. Each day I wonder, “What creative experiences will be present in the adventure of producing the next page.”

Much thanks to Cheryl Taves for creating this fabulous challenge. I am thrilled to be a part of it. To view the many other sketchbook entries for this challenge visit, #insightcreative30daychallenge

More posts from the 30 Day Sketchbook Challenge:
Week 2
Week 3
Week 4

Re-Words Concertina

Re-Word Concertina Sketchbook

Here’s a look at my recently completed RE-WORDS concertina sketchbook, produced on canvas. This book is centered around the theme of RE-Words. Early in the year, my 2020 seemed to be one of redo, rework, recreate, and recover. As 2020 has developed into a year like no other, more and more words keep showing up. (reopen, reconnect, retreat, revise, restart)

Pages 1 & 2 of Re-Word Concertina

In creating this book, I had a few objectives in mind: to create two page spreads rather than individual pages, to combine circular elements with linear shapes, and to spread the RE-WORDS throughout. And most importantly, to create a concertina sketchbook on raw canvas with textures, threads, and frayed edges. (I’ve used cloth, papers, ink, acrylic, with threads and text on raw canvas for this book.)

Pages 3 & 4 of Re-Word Concertina

The process of working on the book became an interesting journey and a means of processing all that was happening out in the world, as I sheltered in place in my studio.

During 2020:

• I’ve had to REVISE my plans for the year.

• I’m REASSESSING everything.

• I’ve spent time RECREATING work from the past.

• I’m RECOVERING from the losses experienced in the past year.

• I am RE-IMAGINING what life may be like moving forward.

• I’ve been REDIRECTING my creative energies and focus.

• I’m REMAKING my life under new circumstances.

• I can’t help but REFLECT on where I’ve been in the past few months, the state of the world now, and how it compares to different times, in different ages.

• I question what of the past is best to let go of and what we will be able to RECLAIM in the future.

• I’m REALIZING that this book will not satisfy my need to explore these words. I’ve already begun working on a Re-Words painting.

• I wonder what the effects will be once businesses REOPEN.

• What will the tapestry of life look like once we RE-THREAD it?

• How soon will I be comfortable to really RECONNECT with friends and family?

• RESTART is the first word appearing on page one and the last word on the final page of the book. Each day and each project becomes a RESTART.

• As I look towards the future and the path forward, after these days of sheltered in place, we will need to REBOOT our lives, RESTORE what is possible and what makes sense, and REBOUND as best as we can... hopefully, in a kind, compassionate, and healthy way.

Pages 5 & 6 of Re-Word Concertina

A concertina book can become a mini series of pieces, all connected as one attached progression. And I love working in a series and I’ve loved working on this book. I can definitely see myself doing more books in the future, on raw canvas. This is where I’m at home... with the textures, threads, and the frayed edges of the canvas.

I’m sure most of you have had your own 2020 reasons to revise, reassess, reflect, etc. I wish you health and safety and the ability to experience the future as a fresh and positive RESTART.

Pages 7 & 8 of Re-Word Concertina

Above I’ve shown them as the two page spreads… And here they are as individual pages, the cover and all 8 pages:

My Interview: Turning Point Project

Back in February (when our world was so much different than it has become), I had the joy and privilege of sharing my turning point story with the fabulous Helen Rebello on the Turning Point Project podcast. And I’m excited to share that the interview is available to listen to! In this episode, I talk about the turning points that helped shape my life journey and how these steps set a new course within me, within my art, and within my creative expression. I'd love you to listen in and let me know what personal insights it sparks in you about your own turning points.

To listen: CLICK HERE to go directly to the interview page, and then scroll down. OR find it on one of these podcast apps... APPLE ... SPOTIFY ... STITCHER. (April 20th episode, Becoming a Blank Canvas)

And check out the many other episodes on the Turning Point Project. Helen has put together a great collection of interviews. It’s easy to see how much heart, insights, and passion she puts into her podcast and into everything she does. I feel grateful to have had the opportunity to meet her, to share our stories with one another, and to be able to reflect on the many turning points in my life.

Concertina Sketchbooks

For the past couple of months, and up until last week, I was unable to paint. I continued to feel a strong desire to create… but had absolutely no oomph to continue work on any of my paintings or projects. I found myself in an unfamiliar position… unable to pick up a paintbrush. That’s when I joined the Concertina Retreat, hosted by Suzie Chaney. It was one of the many artist challenges popping up on Instagram as the quarantine days took hold throughout the planet. So, I entered the world of concertina sketchbooks.

For those unfamiliar with a concertina sketchbook: all the pages are connected in one long strip that can fold up like an accordion into a book.

We received instructions on making the sketchbook and then one prompt a day for six days. (Some of the prompts were: botanical, the earth, all beings, and more.) Over the course of the week, I filled the pages with papers, printed text, and stitched threads. I was thankful for the new creative experience.

Front cover of Threads, a concertina book

When I began this project, I didn’t consider the idea of creating a visual connection from one page to the next. BUT, as soon as I began to construct page two, I found joy in the idea of a harmonious flow by using machine stitching and the same papers throughout. That’s when I got excited and engaged in the process.

I ended up adding a 7th page with it’s focus on Peace. Then the cover was completed on watercolor paper and sewn onto the front of the book. I love the way the threads look with all the pages hanging down when the book is closed.

First page of the 2nd concertina book, with a focus on Peace and Simplicity.

I was hooked on concertinas and began constructing a second. The last page of the first book became the jumping off point for the second book. Peace and Simplicity was the new theme, which seemed perfect for the times we are living in… and I decided to keep the color palette monochrome.

Our lives are so pared down now with a focus on the basics. It reminds me of camping. When we camp we have whatever we’ve brought with us and our needs and expectations are simple.

Simplicity in a single leaf. A page in the concertina Peace book.

I am grateful to have found joy and creative solace in the paper collage pages of these books. I’ve been collecting (and using) papers since high school with a large stash to choose from. So, they were readily available for this project.

During recent weeks, I could have focused on the uncomfortable feeling of being disconnected from my usual painting flow…. but instead, I found another method of creating, a new format to love, and each day in the studio became a new adventure.

To view all the pages of these books, along with videos, and to follow the progress of daily creative projects, visit my Instagram Page.

A tiny third concertina sketchbook.

Inspiration: To Spark Creativity

We come into the world with the desire and ability to create. It’s apparent in our imaginations, daydreams, ability to problem solve, and in our sense of play. Creativity is an innate force. Just watch the way children become immersed in their personal fantasies, dragging every nearby friend and inanimate object into their story. The foundation for this has been set before we take shape in a body. It’s natural for us to crave a connection with our creative spirit.

Mixed media painting in process.

Creativity can be expressed in every aspect of our lives not just in an artistic endeavor. As individuals, we choose whether to cultivate that creativity and how we do so.

However you choose to exercise your creativity, you can use the list below to spark ideas for a personal creative adventure. Dance or move, paint, draw, or collage, vocalize or compose music, garden or landscape, cook or bake, sculpt or build, sew or embroider.

Inspiration can be found everywhere, at any time, and in any form. You don’t know when or where inspiration will present itself. All that’s needed is to be open to the gifts that present themselves...in any moment. Anything can spark a creative idea. Anything can inspire creative exploration… a word, a single leaf, the flight of a bird, the colors of the trees against a clear blue sky, the light of a full moon shining on the landscape.

I hope the list below will help generate ideas as prompts for your creativity:

1. I’ll start with the simplest of all… Day Dream. Let your imagination run wild. See where it leads you.

Shadows are a great source of creative inspiration.

2. Notice the shadows, lines, shapes and colors right outside your front door or wherever you look.

3. Patterns found in nature. If you can’t find this outside your home then search for images online.

4. As you walk down the street, notice the way the angles of the buildings show up against the sky, may trigger an idea.

5. An interesting sentence or phrase, in a song or conversation, could stand out and inspire an entire short story, novel, or painting.

6. Idioms are wonderful creative triggers. Choose one that strikes your fancy and let it inspire you. Here are just a few to get you started: Water under the Bridge, The Ball is in Your Court, It’s a Small World, Keep an Eye on Him, Go Out on a Limb. The link above has a long list of idioms in alphabetical order.

7. Song titles can be very descriptive and offer a spark of inspiration. You could search for song lists on a specific subject, or top 100 songs in any given year. In writing this post I stumbled upon a list of songs with ridiculous titles. (They are actual songs!!)

8. Whenever you would like a creative boost, read a poem you resonate with… either from a book of poetry you have at home or from an online search. You might consider reading one poem each day for inspiration. With poetry, you enter the mind of the poet and see the world through their eyes.

9. Do people listen to radios anymore? This used to be one of my favorite ways to collect bits and pieces that might fit together in an interesting way. By turning the dial on your radio, you hear brief moments of broadcasting on each station. One or more of those snippets of music, lyrics, and conversation may become puzzle pieces to inspire a creative project. Now-a-days, it’s more likely that changing the TV channels would be more effective.

Creative inspiration can be found wherever you are. This was an exterior wall to an old weathered building. Looks like abstract art.

10. Search online for visual or written creative triggers by typing any word, phrase, or sentence into the search field. You never know what you might find. Don’t just rely on the first browser page that comes up. Check out what’s on the third page.

11. Visit a site like CreativityPortal.com which posts daily images with text, as prompts to inspire writing, art, and creative projects. You may choose to visit their site every day for a new prompt — 365 days a year. And they have an Imagination Prompt Generator with a line of text as a story starter or creative spark. Don’t like the prompt that shows up? Then refresh the page and a new one pops up.

12. Pinterest is a wealth of images on any subject. But be warned, it’s easy to lose track of time when you’re exploring that site. And while you are there, check out my WendyArtsStudio at Pinterest account.

13. Children’s picture books can be a great way to spark your creative flow. Check out my blog post - Inspiration: Children’s Books.

14. And keep a notebook or journal to record the abundance of creative sparks you come across during the day. Record the words, thoughts, quotes, poems, phrases, images, and more that zing you and are likely to motivate you to create.

JUST Create!!! Keep tools and materials easily accessible so you can play and explore. No need to hold back. This experience is for you. Create anything at any time for the pure joy of creating. Have fun!!

Note: This list was written with the understanding that the majority of people are currently sheltered at home. So I have left out a number of creative resources like the library which is one of my favorite places for developing new ideas. Once we are out and about I will plan to add another post.

Inspiration: Children's Books

Children’s books are a great source of inspiration. They offer the beauty of ideas, a creative flow of words, and artwork that’s a feast of colors and imagery. As adults, our minds are so cluttered with grownup tasks, pressures, expectations and personal business. I highly recommend taking a short holiday and explore the wonderful world of picture books.

You might choose a beloved favorite that brings you back to your own childhood or a new delightful find that enables you to connect with your inner child. Reading children’s picture books can soften the heart, put a smile on your face, and allow you to slow down your breathing. This is the perfect inner space to begin your own creative explorations.

These precious packages have the ability to transport us to a belief in ourselves and in the thought that anything is possible.

Years ago, I lived about 3 minutes away from a huge, new, and absolutely fabulous Barnes & Noble store, which happened to be open til midnight. Although I am not a late night person, I loved knowing that I could stop in anytime. Often, and with much delight, I would wander in for a mini creative vacation and spend time in the children's book section. I felt like a sponge, absorbing the colors, lines, and illustrations in these captivating parcels. My eyes would dance from cover to cover taking in all the artwork and titles. And best of all, they had ample seating for me to comfortably spend time with the picks of the night.

So, consider spending some time in the world of children's books and see if they inspire you. And with libraries closed during these quarantine days, if you don’t have any picture books at home, you can become immersed in the pages of books found at online bookstores.

The books appearing in the above image:

• The Little Mouse, the Red Ripe Strawberry, and the Big Hungry Bear by Don and Audrey Wood

• The Giving Tree by Shel Silverstein

• Where the Wild Things Are by Maurice Sendak

• The Tiny Seed by Eric Carle

• The Further Adventures of the Little Mouse Trapped in a Book by Monique Felix

• Where Once There Was a Wood by Denise Fleming

• Coyote and the Magic Words by Phyllis Root

• Giving Thanks by Chief Jake Swamp

This is a revision of a post originally published in 2013.

Love: A Morning Practice

With all that is going on in the world right now, and with a majority of people staying in place, this seemed like an ideal time to share a piece of my morning practice. For the past several years, I have been starting each day with love, then I carry the experience with me into my day. As you may suspect, it leaves me feeling wonderful.

The practice has evolved over the years as part of a larger morning routine. It began as statements within an I Am exercise… reciting to myself, “I am love, I am filled with love, I am surrounded by love, I am radiating love.” Meanwhile, I would visualize each statement as it crossed my mind. More and more, I began to experience the expansiveness carried with those words and this daily ritual grew over time.

The Love Practice: I start with a smile and bring to mind a memory or visual image that fills me with love and warmth. For example: I have often chosen to visualize the moment just after my daughter, Melissa, was born. Or I might imagine holding Melissa’s hand while I have the hand of a beloved aunt in my other hand. (She died many years ago before Melissa was born.) Then I let the strength of the love I feel for them fill me up, expanding beyond my physical being. I bask in the presence of love for a time, allowing it to strengthen. (It’s as if I’m being held within a protective, caring, and powerful bubble.) Then I send that love energy out to surround the planet and maybe also shared with specific people or locations. I am radiant!

In the past month, I have been visualizing love surrounding the corona virus, which I see as a mist hovering above the earth and when touched by the energy of love, the particles of the virus become pink. That’s just what I happen to have seen. You are likely to see something totally different.

In the past week, I have found myself combining my love practice with my gratitude practice and it has become more powerful, leaving me in tears. (tears of love and appreciation). Each morning, I choose one incident, experience, or person that I love, and then review the reasons I feel grateful for them. The heartfelt gratitude seems to empower the feelings of love, allowing me to fill a greater receptacle of love to send out into the world.

There are other parts of my morning practice, but they will have to wait to be shared in one or more posts in the future.

You may also be interested in, Joy: a Morning Practice

Hearts in the Art

“Love Sound” 6” x 6” mixed media on canvas. (Available through the Hearts for the Arts fundraiser.)

“Love Sound” in process.

As young children, we are introduced to the shape of the heart. It is recognized throughout the world as a symbol for love. I’m not normally one who paints hearts or adds the heart shape in my artwork. But… somehow, in the past couple of months I have produced two paintings with cloth hearts sewn into the design. Now that Valentine’s Day is only days away, I thought I would share them here.

Both paintings are part of the series of Ancient Wisdom Minis, designed around a quote from Kabir that includes a heart reference. (Kabir was a 15th century poet and mystic.) The canvases in the series are small (6” x 6”) acrylic paintings featuring words of wisdom from the past. The first step in the process is to cut, fray, and prepare the raw canvas that will create texture and form the focal point for the painting.

“Lift the Veil” 6” x 6” mixed media on canvas. SOLD

“Love Sound” is currently part of the Hearts for the Arts fundraiser being held at Artisans Gallery, in downtown Santa Cruz (details below). It displays the following quote: “The flute of the infinite is played without ceasing, and it’s sound is love.” ~Kabir.

“Lift the Veil” features these words: “Lift the veil that obscures the heart, and there you will find what you are looking for.” ~Kabir

The 2020 Hearts for the Arts fundraiser benefits the Santa Cruz Arts Council’s arts education programs (SPECTRA and Mariposa Arts). The donated works are currently on display at Artisans as part of a silent auction for the first 13 days in February (bidding begins on February 1st and closes on February 13th).

For those in the area: The auction will be part of the First Friday Art Tour on February 7th and the Arts Council will host an Artists’ Reception from 3-5 on Sunday, February 9th.

I plan to be there on Sunday. Maybe I’ll see you there!!

Painting Doesn’t Take a Holiday

"Effervescence" 20" x 20" acrylic mixed media on canvas.

Tomorrow is the first day of February and I am spending time today, reflecting on the experience of painting during Thanksgiving week. Somehow I managed to shop, cook, entertain, and still complete a painting while also preparing for a studio show just one week later. On that Wednesday, the day before Thanksgiving Day, I was busy in the kitchen preparing food for a small family feast. But while the veggies were sauteing and in between cooking the various dishes, I was in the studio adding paint to my latest creation. I managed to embed studio time in a day focused on cooking. By the end of the day, I felt nearer to actually being able to complete the painting I had begun more than a year before. Then, while other people spent Black Friday shopping, I was able to work on and finish up that painting.

"Effervescence" in process. Sewing the painted cloth onto the stretched canvas.

“Effervescence” was inspired by a vision I had of the mist created when opening up a bottle of carbonated water. Each mist particle represented one of us and we were all connected in this sea of bubbles, swirling around one another, playing our role in the whole of our shared existence. We were one, together, rather than individuals, separate from the whole.

I began working on “Effervescence” in the fall of 2018, almost immediately after the concept took shape in my mind. But soon after I painted the two cloth layers, I put it aside with too many ideas on how it might be developed. Over a year later, a friend encouraged me to return to the painting. And I’m so glad she did. It was only then that I had the idea for the background to mimic the cutouts in the top cloth. So I got busy cutting holes in paper before adhering the paper to the back canvas. That’s when I was finally able to move the painting forward towards completion.

"Effervescence" in process after adding the cut paper to the stretched canvas background.

I added the finishing touches with a quote from Johann Wolfgang von Goethe... "In nature we never see anything isolated, but everything in connection with something else which is before it, beside it, under it, and over it."

“Effervescence” and I took a journey together and I embrace the bond developed in the process. A relationship is created between the artist and his/her creation. When I’m working on a painting, it’s as if a dialog develops between us, with the painting sharing its needs, making suggestions, providing guidance. All I have to do is be open to listening. We spend time in the studio together. It’s a shared experience. And when a painting takes longer to complete, the opportunity is there to create a closer bond, just as in any relationship. “Effervescence” was signed and wired in time for the studio show and it was one of the first to be sold.

And…I have to just add: For an artist, any day is a day to create, whether it’s a weekend, vacation day, or even the week of a major holiday.

Becoming a Blank Canvas

I’ve been taking part in Tara Leaver’s Instagram Challenge… 21 Days in My Art World. Tomorrow is day 11 and the prompt is: Turning Point. I’ve decided to share the experience that placed me on the path of creating the Transcriptions Series. With this in mind, I thought it applicable to re-post an article I published a few years ago on the Shared Easel Newsletter. Here it is:

2016 was the year I "birthed" a new series and grew myself in the process. I believe it all began with the adventure of dismantling the old and opening the doorway to something new.

I entered the year believing it was a time of wonderful possibilities - that I could create anything I wanted and make anything happen. I had the power to create!... But the question was, "What did I want to create?"

I was determined to release any and all past creative goals and open to a new creative vision, unfettered by my prior ideas and expectations. I wanted to wipe the slate clean so I could see what I might create now. First I would need to clear away years of stuffed and stored creative project ideas. I have always had more ideas than the time and ability to create. Most have remained stored in my inner closet, occasionally reminding me they were still there. It was time to finally clear out that closet and release the old notions conceived by a no longer existing me.

Over the course of several days I converted our living room into a brainstorming space. I taped sheets of newsprint paper all over the windows, door, and furniture. With markers and pens, I generated lists of:

• old expectations and projects ideas

• creative ideas that were already begun

• my past successes and achievements

• my skills and abilities that I can draw upon in anything I choose to do moving forward

• my hopes and dreams

• positive affirmations to fuel the new

• I Am statements (examples: I Am Fearless, I Am Grateful... )

• some ideas of things I might consider getting involved in or find a passion for

• and more

"Transcriptions #1 - Lokah Samastah”
12" x 12" Mixed media on canvas.

The main goal was to make myself a blank canvas for what I might create in the year ahead (and allow new ideas and creations to unfold). I'd say it worked out pretty well and led to the development of the Transcriptions Series of paintings!

(This was originally published on April 2017 in the Shared Easel Newsletter.)

Note: In the months that followed my brainstorming days, a series of new experiences, ideas, and materials came together to form a new way of working and a new series. I ended up producing 30 paintings in that series, which has led to all the work that followed. I’m so very grateful for those days in February 2016 and going with my inner guidance to become a blank canvas at that time.

Not Every Week is About Painting

As artists, we would love to spend all our days in the studio, in creative mode. The tasks of promoting ourselves, looking at our art career as a business, and managing websites takes us away from what we would prefer to be focused on. But somehow I’ve begun to enjoy it.

This past week has been tremendously busy, highly productive, and filled with joy. It was a week of putting ideas, new and old, into action. Instead of sending an invitation for my upcoming studio show out to just locals, I decided to include additions that might be of interest to the entire mailing list. So, my focus was on developing the first Shared Easel Giveaway and setting up a new gallery of recent works that would only be available to subscribers.

To accomplish these tasks, I had to spend many, many hours of computer time and very long days (out of the studio). I was so focused on completing everything by a certain date that I kept forgetting to eat. The funny thing was, I found myself dancing around the house in joy, nonetheless. I was feeling good about my accomplishments, great about pulling off one idea after another (In some ways, not so unlike painting).

Once the invitations went out, I still needed another invitation for non-subscribers and then had to get busy ordering mats, prints, and frames to arrive in time for the show.

As I write this on Sunday morning, I am thankfully in the studio, with a bit of time to develop a few of the works in progress. The week was exhilarating but I wouldn’t want every week to replicate this type of activity. I’m ready for the opportunity to play with my paints before gearing up for the show. (Oh!! And once all of the mats, frames, and prints arrive I’ll have lots more to do!!!)

I’m so grateful to be able to experience life as an artist.

Street Scenes

As I reflect on this year’s art explorations, one of the experiences that stands out is the group of paintings completed at the very end of the 100 Day Project. To close out the project, I played with a series of Street Scenes, painted in a new way, with a very blue color palette.

"Street Scene" 6" x 6" acrylic and color pencils on paper.

It was the painting I posted on the 82nd day of the project that inspired me to create this little mini series. Using black paint, I had made some quick lines and marks to start it off… but then I had absolutely no idea how it was going to develop. Totally by accident, I stumbled upon an image of the Moroccan village of Chefchaouen. The lines in the photo were unbelievably close to the lines of the undeveloped painting sitting before me! And I loved the idea of having fun with that color palette… blues and orange!

Three Street Scenes at different stages of development

So, during the last nine days of the project, my focus was on painting more images inspired by the blue walled streets of Chefchaouen.

These works took me down a path I never would have traveled if I had continued art-making as usual, without the months of exploration. I'm thrilled to have given myself the opportunity to take this intermission, to explore new ideas, and create works on paper. So curious to see how these experiences "color" the work I do moving forward.

At the time, I wondered if I would end up painting more Street Scenes at some point, larger in size and on canvas. During my recent trip to France, I took photos of street views wherever I went, just in case I one day decided to create similarly focused paintings. Of course, they would inspire a different color palette. I don’t have any plans to do so at this time but the creative door is always open.

Wisdom of Kabir

Ancient Wisdom Mini series

A couple of weeks ago, I began a new mini series as part of a seven day Instagram art challenge established by the wonderful, Tara Leaver. I decided to use the week to step back into playing with canvas after a half year intermission of just creating works on paper. After considering a few other project ideas, I chose to paint 6” x 6” acrylic paintings, first prepared with cut and frayed canvas cloth, and each one featuring a short quote from the 15th century mystic and poet, Kabir.

The process combines the Ancient Wisdom and text of the Transcriptions series along with the use of cloth in the Canvas on Canvas paintings.

The prepared canvases before they are painted.

This project was perfect to get me back into my flow again and reconnect with stretched and raw canvas… by cutting it, shaping it, and stringifying it before any paint touches the surface. (In case you’re wondering, stringifying is not a word but it perfectly describes what I love to do with raw canvas.)

“The Release” 6” x 6” mixed media on canvas

Since creating the six small canvases for the mini challenge, I’ve completed two more and I'm confident I'll be adding to the Ancient Wisdom series with larger pieces. I’ve also begun to collect the words of those who have touched the hearts of generations through the centuries… Rumi and Hafez to name a couple. I'm looking forward to seeing what unfolds from here.

The Ancient Wisdom Minis can be found at the Canvas on Canvas gallery on my website.

And… Check Out the art created by the other participants of the 7 day mini series. Tara Leaver did a great job of posting the work on her blog.

A Frustrating Day in the Studio

I don’t have too many frustrating days in the studio. I guess you can say, I am spoiled. I’m used to getting an idea and playing with it, getting into a flow and experiencing the process as the guidance comes easily and the joy of creating fills the studio. But I had a day that was unlike any other.

My first effort just didn’t come together at all! The focus was on a new way of working with canvas cloth. I was feeling excited and looking forward to waking up and exploring an idea I’ve thought about for a couple of years. This was going to be the day I finally brought it into physical form. (no great expectation there!!)

After a couple of hours of nothing happening, I moved onto a variation on the original idea (plan B). It too was a no go. I could not seem to get anything off the ground. So I let it all go and went for a whole new focus, working on paper rather than canvas. (Plan C?) But, still wrestling with the earlier goal, I soon found myself returning to try out another approach.

What a yo-yo experience!! Although I seemed to have moved the project a step forward, once again the idea had no traction. Luckily, it was time to meet a friend for a walk. That forced me to step aside and step out of the studio. In preparing to leave the house, I suddenly came up with an ideal alternative project. It became easy to drop all the plans I had for the day and turn my attention to a totally different focus.

“The Merge” - a painting in process

That night I prepared 5 canvases with cloth and was ready to begin painting the first in the series the next morning. It may have been a frustrating day but a new series was born and the steps I took and my willingness to keep trying became the stepping stones for work that will come together in the future.